Friday, 3 May 2013

Hindu Rituals..( હિંદુ સંસ્કૃતિ )

Why do we light a lamp?
 In almost every Indian home a lamp is lit daily before the altar of the Lord. In some houses it is lit at dawn, in some, twice a day – at dawn and dusk – and in a few it is maintained continuously (akhanda deepa). All auspicious functions commence with the lighting of the lamp, which is often maintained right through the occasion.
Light symbolizes knowledge, and darkness, ignorance. The Lord is the "Knowledge Principle" (chaitanya) who is the source, the enlivener and the illuminator of all knowledge. Hence light is worshiped as the Lord himself.
Knowledge removes ignorance just as light removes darkness. Also knowledge is a lasting inner wealth by which all outer achievement can be accomplished. Hence we light the lamp to bow down to knowledge as the greatest of all forms of wealth
Why not light a bulb or tube light? That too would remove darkness. But the traditional oil lamp has a further spiritual significance. The oil or ghee in the lamp symbolizes our vaasanas or negative tendencies and the wick, the ego. When lit by spiritual knowledge, the vaasanas get slowly exhausted and the ego too finally perishes. The flame of a lamp always burns upwards. Similarly we should acquire such knowledge as to take us towards higher ideals. 

Whilst lighting the lamp we thus pray:
Deepajyothi parabrahma
Deepa sarva tamopahaha
Deepena saadhyate saram
Sandhyaa deepo namostute
I prostrate to the dawn/dusk lamp; whose light is the Knowledge Principle (the Supreme Lord), which removes the darkness of ignorance and by which all can be achieved in life. 

2. Why do we have a prayer room? 

 

Most Indian homes have a prayer room or altar. A lamp is lit and the Lord worshipped each day. Other spiritual practices like japa (repetition of the Lord's name), meditation, paaraayana (reading of the scriptures), prayers, and devotional singing etc is also done here. Special worship is done on auspicious occasions like birthdays, anniversaries, festivals and the like. Each member of the family – young or old – communes with and worships the Divine here.
The Lord is the entire creation. He is therefore the true owner of the house we live in too. The prayer room is the Master room of the house. We are the earthly occupants of His property. This notion rids us of false pride and possessiveness.
The ideal attitude to take is to regard the Lord as the true owner of our homes and us as caretakers of His home. But if that is rather difficult, we could at least think of Him as a very welcome guest. Just as we would house an important guest in the best comfort, so too we felicitate the Lord's presence in our homes by having a prayer room or altar, which is, at all times, kept clean and well-decorated.
Also the Lord is all pervading. To remind us that He resides in our homes with us, we have prayer rooms. Without the grace of the Lord, no task can be successfully or easily accomplished. We invoke His grace by communing with Him in the prayer room each day and on special occasions.
Each room in a house is dedicated to a specific function like the bedroom for resting, the drawing room to receive guests, the kitchen for cooking etc. The furniture, decor and the atmosphere of each room are made conducive to the purpose it serves. So too for the purpose of meditation, worship and prayer, we should have a conducive atmosphere – hence the need for a prayer room. 
 Sacred thoughts and sound vibrations pervade the place and influence the minds of those who spend time there. Spiritual thoughts and vibrations accumulated through regular meditation, worship and chanting done there pervade the prayer room. Even when we are tired or agitated, by just sitting in the prayer room for a while, we feel calm, rejuvenated and spiritually uplifted. 

3. Why do we do namaste  

Indians greet each other with namaste. The two palms are placed together in front of the chest and the head bows whilst saying the word namaste. This greeting is for all – people younger than us, of our own age, those older than friends, even strangers and us.
There are five forms of formal traditional greeting enjoined in the shaastras of which namaskaram is one. This is understood as prostration but it actually refers to paying homage as we do today when we greet each other with a namaste
Namaste could be just a casual or formal greeting, a cultural convention or an act of worship. However there is much more to it than meets the eye. In Sanskrit namah + te = namaste. It means – I bow to you – my greetings, salutations or prostration to you. Namaha can also be literally interpreted as "na ma" (not mine). It has a spiritual significance of negating or reducing one's ego in the presence of another.
 The real meeting between people is the meeting of their minds. When we greet another, we do so with namaste , which means, "may our minds meet," indicated by the folded palms placed before the chest. The bowing down of the head is a gracious form of extending friendship in love and humility.

 The spiritual meaning is even deeper. The life force, the divinity, the Self or the Lord in me is the same in all. Recognizing this oneness with the meeting of the palms, we salute with head bowed the Divinity in the person we meet. That is why sometimes, we close our eyes as we do namaste to a revered person or the Lord – as if to look within. The gesture is often accompanied by words like "Ram Ram", "Jai Shri Krishna", "Namo Narayana", "Jai Siya Ram", "Om Shanti" etc – indicating the recognition of this divinity.

When we know this significance, our greeting does not remain just a superficial gesture or word but paves the way for a deeper communion with another in an atmosphere of love and respect.




4. Why do we prostrate before parents and elders? 

Indians prostrate before their parents, elders, teachers and noble souls by touching their feet. The elder in turn blesses us by placing his or her hand on or over our heads. Prostration is done daily, when we meet elders and particularly on important occasions like the beginning of a new task, birthdays, festivals etc. In certain traditional circles, prostration is accompanied by abhivaadana, which serves to introduce one-self, announce one's family and social stature.
Man stands on his feet. Touching the feet in prostration is a sign of respect for the age, maturity, nobility and divinity that our elders personify. It symbolizes our recognition of their selfless love for us and the sacrifices they have done for our welfare. It is a way of humbly acknowledging the greatness of another. This tradition reflects the strong family ties, which has been one of India's enduring strengths.
The good wishes (Sankalpa) and blessings (aashirvaada) of elders are highly valued in India. We prostrate to seek them. Good thoughts create positive vibrations. Good wishes springing from a heart full of love, divinity and nobility have a tremendous strength. When we prostrate with humility and respect, we invoke the good wishes and blessings of elders which flow in the form of positive energy to envelop us. This is why the posture assumed whether it is in the standing or prone position, enables the entire body to receive the energy thus received.
The different forms of showing respect are : 
 Pratuthana – rising to welcome a person.
Namaskaara paying homage in the form of namaste (discussed separately in this book).
Upasangrahan touching the feet of elders or teachers.
Shaashtaanga prostrating fully with the feet, knees, stomach, chest, forehead and arms touching the ground in front of the elder.
Pratyabivaadana – returning a greeting.
Rules are prescribed in our scriptures as to who should prostrate to whom. Wealth, family name, age, moral strength and spiritual knowledge in ascending order of importance qualified men to receive respect. This is why a king though the ruler of the land, would prostrate before a spiritual master. Epics like the Ramayana and Mahabharata have many stories highlighting this aspect. 
 5. Why do we wear marks (tilak, pottu and the like) on the   forehead?  

The tilak or pottu invokes a feeling of sanctity in the wearer and others. It is recognized as a religious mark. Its form and colour vary according to one's caste, religious sect or the form of the Lord worshipped.
In earlier times, the four castes (based on varna or colour) – Brahmana, Kshatriya, Vaishya and Sudra – applied marks differently. The brahmin applied a white chandan mark signifying purity, as his profession was of a priestly or academic nature. The kshatriya applied a red kumkum mark signifying valour as he belonged to warrior races. The vaishya wore a yellow kesar or turmeric mark signifying prosperity as he was a businessman or trader devoted to creation of wealth. The sudra applied a black bhasma, kasturi or charcoal mark signifying service as he supported the work of the other three divisions.
Also Vishnu worshippers apply a chandan tilak of the shape of "U", Shiva worshippers a tripundra (of the shape of "º ") of bhasma, Devi worshippers a red dot of kumkum and so on)

The tilak cover the spot between the eyebrows, which is the seat of memory and thinking. It is known as the Aajna Chakra in the language of Yoga. The tilak is applied with the prayer – "May I remember the Lord. May this pious feeling pervade all my activities. May I be righteous in my deeds." Even when we temporarily forget this prayerful attitude the mark on another reminds us of our resolve. The tilak is thus a blessing of the Lord and a protection against wrong tendencies and forces.
The entire body emanates energy in the form of electromagnetic waves – the forehead and the subtle spot between the eyebrows especially so. That is why worry generates heat and causes a headache. The tilak and pottu cools the forehead, protects us and prevents energy loss. Sometimes the entire forehead is covered with chandan or bhasma. Using plastic reusable "stick bindis" is not very beneficial, even though it serves the purpose of decoration. 
 6. Why do we not touch papers, books and people with the feet?
 To Indians, knowledge is sacred and divine. So it must be given respect at all times. Nowadays we separate subjects as sacred and secular. But in ancient India every subject – academic or spiritual – was considered divine and taught by the guru in the gurukula. 
The custom of not stepping on educational tools is a frequent reminder of the high position accorded to knowledge in Indian culture. From an early age, this wisdom fosters in us a deep reverence for books and education. This is also the reason why we worship books, vehicles and instruments once a year on Saraswathi Pooja or Ayudha Pooja day, dedicated to the Goddess of Learning. In fact, each day before starting our studies, we pray: 
Saraswati namasthubhyam 
Varade kaama roopini 
Vidyaarambham karishyaami  
Sidhirbhavatu me sadaa 
O Goddess Saraswati, the giver of
Boons and fulfiller of wishes,
I prostrate to You before
starting my studies. 
May you always fulfill me?  
 6a. To touch another with the feet is considered an act of misdemeanor. Why is this so?  
 Man is regarded as the most beautiful, living breathing temple of the Lord! Therefore touching another with the feet is akin to disrespecting the divinity within him or her. This calls for an immediate apology, which is offered with reverence and humility.  
 7. Why do we apply the holy ash?   


This shows extreme case of applying ash(this is toomuch and not commonly done 
aBhasm (the holy ash) is the ash from the homa (sacrificial fire) where special wood along with ghee and other herbs is offerThe ash of any burnt object is not regarded as holy ashed as worship of the Lord. Or the deity is worshipped by pouring ash as abhisheka and is then distributed as bhasma.
Bhasma is generally applied on the forehead. Some apply it on certain parts of the body like the upper arms, chest etc. Some ascetics rub it all over the body. Many consume a pinch of it each time they receive it.
The word bhasma means, "that by which our sins are destroyed and the Lord is remembered". Bha implied bhartsanam ("to destroy") and sma implies smaranam ("to remember"). The application of bhasma therefore signifies destruction of the evil and remembrance of the divine. Bhasma is called vibhuti (which means "glory") as it gives glory to one who applies it and raksha (which means a source of protection) as it protects the wearer from ill health and evil, by purifying him or her. 

Homa (offering of oblations into the fire with sacred chants) signifies the offering or surrender of the ego and egocentric desires into the flame of knowledge or a noble and selfless cause. The consequent ash signifies the purity of the mind, which results from such actions.
Also the fire of knowledge burns the oblation and wood signifying ignorance and inertia respectively. The ash we apply indicates that we should burn false identification with the body and become free of the limitations of birth and death. This is not to be misconstrued as a morose reminder of death but as a powerful pointer towards the fact that time and tide wait for none.
Bhasma is specially associated with Lord Shiva who applies it all over His body. Shiva devotes apply bhasma as a tripundra (the form of "&ord­; "). When applied with a red spot at the center, the mark symbolizes Shiva-Shakti (the unity of energy and matter that creates the entire seen and unseen universe).
Bhasma has medicinal value and is used in many ayurvedic medicines. It absorbs excess moisture from the body and prevents colds and headaches. The Upanishads say that the famous Mrityunjaya mantra should be chanted whilst applying ash on the forehead. 
Tryambakam yajaamahe
Sugandhim pushtivardhanam
Urvaa rukamiva bhandhanaan
Mrytyor muksheeyamaa amrutaat
"We worship the three-eyed Lord Shiva who nourishes and spread fragrance in our lives. May He free us from the shackles of sorrow, change and death – effortlessly, like the fall of a rip brinjal from its stem."  

8. Why do offer food to the Lord before eating it?  

See full size image
Indians make an offering of food to the Lord and later partake of it as prasaada – a holy gift from the Lord. In our daily ritualistic worship (pooja) too we offer naivedyam (food) to the Lord.
The Lord is omnipotent and omniscient. Man is a part, while the Lord is the totality. All that we do is by His strength and knowledge alone. Hence what we receive in life as a result of our actions is really His alone. We acknowledge this through the act of offering food to Him. This is exemplified by the Hindi words "tera tujko arpan"– I offer what is Yours to You. Thereafter it is akin to His gift to us, graced by His divine touch.
Knowing this, our entire attitude to food and the act of eating changes. The food offered will naturally be pure and the best. We share what we get with others before consuming it. We do not demand, complain or criticise the quality of the food we get. We eat it with cheerful acceptance ( prasaada buddhi).
Before we partake of our daily meals we first sprinkle water around the plate as an act of purification. Five morsels of food are placed on the side of the plate acknowledging the debt owed by us to the Divine forces ( devta runa) for their benign grace and protection, our ancestors (pitru runa) for giving us their lineage and a family culture, the sages (rishi runa) as our religion and culture have been "realised", aintained and handed down to us by them, our fellow beings ( manushya runa) who constitute society without the support of which we could not live as we do and other living beings (bhuta runa) for serving us selflessly.
Thereafter the Lord, the life force, who is also within us as the five life-giving physiological functions, is offered the food. This is done with the chant 
praanaaya swaahaa,
apaanaaya swaahaa,
vyaanaaya swaahaa,
udaanaaya swaahaa,
samaanaaya swaahaa,
brahmane swaahaa 
After offering the food thus, it is eaten as prasaada – blessed food. 
 9. Why do we fast?   

Most devout Indians fast regularly or on special occasions like festivals. On such days they do not eat at all, eat once or make do with fruits or a special diet of simple food.
Fasting in Sanskrit is called upavaasa. Upa means "near" + vaasa means "to stay". Upavaasa therefore means staying near (the Lord), meaning the attainment of close mental proximity with the Lord. Then what has upavaasa to do with food?
A lot of our time and energy is spent in procuring food items, preparing, cooking, eating and digesting food. Certain food types make our minds dull and agitated. Hence on certain days man decides to save time and conserve his energy by eating either simple, light food or totally abstaining from eating so that his mind becomes alert and pure. The mind, otherwise pre-occupied by the thought of food, now entertains noble thoughts and stays with the Lord. Since it is a self-imposed form of discipline it is usually adhered to with joy.
Also every system needs a break and an overhaul to work at its best. Rest and a change of diet during fasting is very good for the digestive system and the entire body.

The more you indulge the senses, the more they make their demands. Fasting helps us to cultivate control over our senses, sublimate our desires and guide our minds to be poised and at peace.
Fasting should not make us weak, irritable or create an urge to indulge later. This happens when there is no noble goal behind fasting.
The Bhagavad-Gita urges us to eat appropriately – neither too less nor too much – yukta-aahaara and to eat simple, pure and healthy food (a saatvik diet) even when not fast

 10. Why do we do pradakshina (circumambulate) ?
We cannot draw a circle without a center point. The Lord is the center, source and essence of our lives. Recognizing Him as the focal point in our lives, we go about doing our daily chores. This is the significance of pradakshina.
Also every point on the circumference of a circle is equidistant from the center. This means that wherever or whoever we may be, we are equally close to the Lord. His grace flows towards us without partiality. 

11. Why is pradakshina done only in a clockwise manner?

            The reason is not, as a person said, to avoid a traffic jam! As we do pradakshina, the Lord is always on our right. In India the right side symbolizes auspiciousness. So as we circumambulate the sanctum sanctorum we remind ourselves to lead an auspicious life of righteousness, with the Lord who is the indispensable source of help and strength, as our guide – the "right hand".
Indian scriptures enjoin – matrudevo bhava, pitrudevo bhava, acharyadevo bhava. May you consider your parents and teachers as you would the Lord. With this in mind we also do pradakshina around our parents and divine personages.
After the completion of traditional worship (pooja), we customarily do pradakshina around ourselves. In this way we recognize and remember the supreme divinity within us, which alone is idolized in the form of the Lord that we worship outside.  

12. Why do we regard trees and plants as sacred?  

The Lord, the life in us, pervades all living beings, be they plants or animals. Hence, they are all regarded as sacred. Human life on earth depends on plants and trees. They give us the vital factors that make life possible on earth: food, oxygen, clothing, shelter, medicines etc. 
Hence, in India, we are taught to regard trees and plants as sacred. Indians scriptures tell us to plant ten trees if, for any reason, we have to cut one. We are advised to use parts of trees and plants only as much as is needed for food, fuel, shelter etc. we are also urged to apologies to a plant or tree before cutting it to avoid incurring a specific sin named soona 
Certain trees and plants like tulasi, peepal etc., which have tremendous beneficial qualities, are worshipped till today. It is believed that divine beings manifest as trees and plants, and many people worship them to fulfill their desires or to please the Lord.  

12. Why do we ring the bell in a temple?  

Is it to wake up the Lord? But the Lord never sleeps. Is it to let the Lord know we have come? He does not need to be told, as He is all knowing. Is it a form of seeking permission to enter His precinct? It is a homecoming and therefore entry needs no permission. The Lord welcomes us at all times. Then why do we ring the bell? 
The ringing of the bell produces what is regarded as an auspicious sound. It produces the sound Om, the universal name of the Lord. There should be auspiciousness within and without, to gain the vision of the Lord who is all-auspiciousness. 
Even while doing the ritualistic aarati, we ring the bell. It is sometimes accompanied by the auspicious sounds of the conch and other musical instruments. An added significance of ringing the bell, conch and other instruments is that they help drowned any inauspicious or irrelevant noises and comments that might disturb or distract the worshippers in their devotional ardour, concentration and inner peace. 
As we start the daily ritualistic worship (pooja) we ring the bell, chanting:  

Aagamaarthamtu devaanaam 
gamanaarthamtu rakshasaam  
Kurve ghantaaravam tatra 
devataahvaahna lakshanam 
I ring this bell indicating
the invocation of divinity,
So that virtuous and noble forces
enter (my home and heart); 
and the demonic and evil forces
from within and without, depart.  

13. Why do we worship the kalasha ?  

First of all what is a kalasha? A brass, mud or copper pot is filled with water. Mango leaves are placed in the mouth of the pot and a coconut is placed over it. A red or white thread is tied around its neck or sometimes all around it in a intricate diamond-shaped pattern. The pot may be decorated wit designs. Such a pot is known as a kalasha.
When the pot is filled with water or rice, it is known as purnakumbha representing the inert body which when filled with the divine life force gains the power to do all the wonderful things that makes life what it is.
A kalasha is placed with due rituals on all-important occasions like the traditional house warming ( grihapravesa), wedding, daily worship etc. It is placed near the entrance as a sign of welcome. It is also used in a traditional manner while receiving holy personages. Why do we worship the kalasha ? Before the creation came into being, Lord Vishnu was reclining on His snake-bed in the milky ocean. From His navel emerged a lotus from which appeared Lord Brahma, the creator, who thereafter created this world.
The water in the kalasha symbolizes the primordial water from which the entire creation emerged. It is the giver of life to all and has the potential of creating innumerable names and forms, the inert objects and the sentient beings and all that is auspicious in the world from the energy behind the universe. The leaves and coconut represent creation.
The thread represents the love that "binds" all in creation. The kalasha is therefore considered auspicious and worshipped. The waters from all the holy rivers, the knowledge of all the Vedas and the blessings of all the deities are invoked in the kalasha and its water is thereafter used for all the rituals, including the abhisheka
 The consecration (kumbhaabhisheka) of a temple is done in a grand manner with elaborate rituals including the pouring of one or more kalashas of holy water on the top of the temple. When the asuras and devas churned the milky ocean, the Lord appeared bearing the pot of nectar, which blessed one with everlasting life.
Thus the kalasha also symbolizes immortality. Men of wisdom are full and complete as they identify with the infinite Truth ( poornatvam). They brim with joy and love and respect all that is auspicious. We greet them with a purnakumbha ("full pot") acknowledging their greatness and as a sign of respectful and reverential welcome, with a "full heart

14. Why do we consider the lotus as special?   

The lotus is the symbol of truth, auspiciousness and beauty (satyam, shivam, sundaram). The Lord is also that nature and therefore, His various aspects are compared to a lotus ( i.e. lotus-eyes, lotus feet, lotus hands, the lotus of the heart etc.).
The lotus blooms with the rising sun and close at night. Similarly, our minds open up and expand with the light of knowledge. The lotus grows even in slushy areas. It remains beautiful and untainted despite its surroundings, reminding us that we too can and should strive to remain pure and beautiful within, under all circumstances.
The lotus leaf never gets wet even though it is always in water. It symbolizes the man of wisdom (gyaani ) who remains ever joyous, unaffected by the world of sorrow and change. This is revealed in a shloka from the Bhagwad-Geeta:
Brahmanyaadhaaya karmaani
Sangam tyaktvaa karoti yaha
Lipyate na sa paapena
Padma patram ivaambhasaa

He who does actions, offering them to Brahman (the Supreme), abandoning attachment, is not tainted by sin, just as a lotus leaf remains unaffected by the water on it.
From this, we learn that what is natural to the man of wisdom becomes a discipline to be practiced by all saadhakas or spiritual seekers and devotees. Our bodies have certain energy centers described in the Yoga Shaastras as chakras.
Each one is associated with lotus that has a certain number of petals. For example, a lotus with a thousand petals represents the Sahasra chakra at the top of the head, which opens when the yogi attains Godhood or Realisation. Also, the lotus posture ( padmaasana) is recommended when one sits for meditation. A lotus emerged from the navel of Lord Vishnu. Lord Brahma originated from it to create the world. Hence, the lotus symbolizes the link between the creator and the supreme Cause.

            It also symbolizes Brahmaloka, the abode of Lord Brahma. The auspicious sign of the swastika is said to have evolved from the lotus.

 

15. Why do we worship tulasi?  

In Sanskrit, tulanaa naasti athaiva tulasi - that which is incomparable (in its qualities) is the tulasi .
For Indians it is one of the most sacred plants. In fact it is known to be the only thing used in worship, which, once used, can be washed and reused in pooja - as it is regarded so self-purifying.
As one story goes, Tulasi was the devoted wife of Shankhachuda, a celestial being. She believed that Lord Krishna tricked her into sinning. So she cursed Him to become a stone ( shaaligraama). Seeing her devotion and adhered to righteousness, the Lord blessed her saying that she would become the worshipped plant, tulasi that would adorn His head. 
Also that all offerings would be incomplete without the tulasi leaf - hence the worship of tulasi.
She also symbolises Goddess Lakshmi, the consort of Lord Vishnu. Those who wish to be righteous and have a happy family life worship the tulasi.
Tulasi is married to the Lord with all pomp and show as in any wedding.
This is because according to another legend, the Lord blessed her to be His consort. Satyabhama once weighed Lord Krishna against all her legendary wealth. The scales did not balance till a single tulasi leaf was placed along with the wealth on the scale by Rukmini with devotion.
Thus the tulasi played the vital role of demonstrating to the world that even a small object offered with devotion means more to the Lord than all the wealth in the world. The tulasi leaf has great medicinal value and is used to cure various ailments, including the common cold. Yanmule sarvatirhaani
Yannagre sarvadevataa
Yanmadhye sarvavedaascha 
Tulasi taam namaamyaham
 
I bow down to the tulasi, At whose base are all the holy places, At whose top reside all the deities and In whose middle are all the Vedas.  

16. Why do we blow the conch? (Shankh )

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When the conch is blown, the primordial sound of Om emanates. Om is an auspicious sound that was chanted by the Lord before creating the world. It represents the world and the Truth behind it.
As the story goes, the demon Shankhaasura defeated devas, the Vedas and went to the bottom of the ocean. The devas appealed to Lord Vishnu for help. He incarnated as Matsya Avataara - the "fish incarnation" and killed Shankhaasura. The Lord blew the conch-shaped bone of his ear and head. The Om sound emanated, from which emerged the Vedas.
All knowledge enshrined in the Vedas is an elaboration of Om . The conch therefore is known as shankha after Shankaasua. The conch blown by the Lord is called Paanchajanya. He carries it at all times in one of His four hands.
It represents dharma or righteousness that is one of the four goals (purushaarthas) of life. The sound of the conch is thus also the victory call of good over evil.
Another well-known purpose of blowing the conch and the instruments, known traditionally to produce auspicious sounds is to drown or mask negative comments or noises that may disturb or upset the atmosphere or the minds of worshippers.
Ancient India lived in her villages. Each village was presided over by a primary temple and several small ones. During the aarati performed after all-important poojas and on sacred occasions, the conch used to be blown. Since villages were generally small, the sound of the conch would be heard all over the village. People who could not make it to the temple were reminded to stop whatever they were doing, at least for a few seconds, and mentally bow to the Lord. The conch sound served to briefly elevate people's minds to a prayerful attitude even in the middle of their busy daily routine. 

The conch is placed at the altar in temples and homes next to the Lord as a symbol of Naada Brahma (Truth), the Vedas, Om, dharma, victory and auspiciousness. It is often used to offer devotees thirtha (sanctified water) to raise their minds to the highest Truth. It is worshipped with the following verse.
 
 Twam puraa saagarot pannaha
Vishnunaa vidhrutahakare
Devaischa poojitha sarvahi
Panchjanya namostu te
Salutations to Panchajanya
the conch born of the ocean
Held in the hand of Lord Vishnu
and worshipped by all devaas

17. Why do we say shaanti thrice?  

Shaanti, meaning "peace", is a natural state of being. Disturbances are created either by others or us. For example, peace already exists in a place until someone makes noise.
Therefore, peace underlies all our agitations. When agitations end, peace is naturally experienced since it was already there. Where there is peace, there is happiness. Therefore, every one without exception desires peace in his/her life. 
However, peace within or without seems very hard to attain because it is covered by our own agitations. A rare few manage to remain peaceful within even in the midst of external agitation and troubles. To invoke peace, we chant prayers. By chanting prayers, troubles end and peace is experienced internally, irrespective of the external disturbances. All such prayers end by chanting shaanti thrice.
It is believed that trivaram satyam - that which is said thrice comes true. For emphasizing a point we repeat a thing thrice. In the court of law also, one who takes the witness stands says, "I shall speak the truth, the whole truth and nothing but the truth". 
We chant shaanti thrice to emphasise our intense desire for peace. All obstacles, problems and sorrows originate from three sources.
Aadhidaivika : The unseen divine forces over which we have little or no control like earthquakes, floods, volcanic eruptions etc. 
Aadhibhautika: The known factors around us like accidents, human contacts, pollution, crime etc.
Aadhyaatmika : We sincerely pray to the Lord that at least while we undertake special tasks or even in our daily lives, there are no problems or that, problems are minimised from the three sources written about above.
May peace alone prevail. Hence shaanti is chanted thrice.
It is chanted aloud the first time, addressing the unseen forces. It is chanted softer the second time, directed to our immediate surroundings and those around, and softest the last time as it is addressed to oneself.
 

18. Why do we offer a coconut? 

In India one of the most common offerings in a temple is a coconut. It is also offered on occasions like weddings, festivals, the use of a new vehicle, bridge, house etc. It is offered in the sacrificial fire whilst performing homa. The coconut is broken and placed before the Lord. It is later distributed as prasaada.
The fibre covering of the dried coconut is removed except for a tuft on the top. The marks on the coconut make it look like the head of a human being. The coconut is broken, symbolising the breaking of the ego. The juice within, representing the inner tendencies ( vaasanas) is offered along with the white kernel - the mind, to the Lord.
A mind thus purified by the touch of the Lord is used as prasaada ( a holy gift). In the traditional abhishekha ritual done in all temples and many homes, several materials are poured over the deity like milk, curd, honey, tender coconut water, sandal paste, holy ash etc. Each material has a specific significance of bestowing certain benefits on worshippers. Tender coconut water is used in abhisheka rituals since it is believed to bestow spiritual growth on the seeker.
The coconut also symbolises selfless service. Every part of the tree -the trunk, leaves, fruit, coir etc. Is used in innumerable ways like thatches, mats, tasty dishes, oil, soap etc. It takes in even salty water from the earth and converts it into sweet nutritive water that is especially beneficial to sick people. It is used in the preparation of many ayurvedic medicines and in other alternative medicinal systems.

            The marks on the coconut are even thought to represent the three-eyed Lord Shiva and therefore it is considered to be a means to fulfill our desires. 

19. Why do we chant Om?

Om is one of the most chanted sound symbols in India. It has a profound effect on the body and mind of the one who chants and also on the surroundings. Most mantras and vedic prayers start with Om.
All auspicious actions begin with Om. It is even used as a greeting - Om, Hari Om etc. It is repeated as a mantra or meditated upon. Its form is worshipped, contemplated upon or used as an auspicious sign.
Om is the universal name of the Lord. It is made up of the letters A (phonetically as in "around"), U (phonetically as in "put") and M (phonetically as in "mum"). The sound emerging from the vocal chords starts from the base of the throat as "A". With the coming together of the lips, "U" is formed and when the lips are closed, all sounds end in "M".

            The three letters symbolize the three states (waking, dream and deep sleep), the three deities (Brahma, Vishnu and Shiva), the three Vedas (Rig, Yajur and Sama) the three worlds (Bhuh, Bhuvah, Suvah) etc. The Lord is all these and beyond.  
The formless, attributeless Lord (Brahman) is represented by the silence between two Om Chants. Om is also called pranava that means, "that (symbol or sound) by which the Lord is praised". The entire essence of the Vedas is enshrined in the word Om. It is said that the Lord started creating the world after chanting Om and atha. Hence its sound is considered to create an auspicious beginning for any task that we undertake. The Om chant should have the resounding sound of a bell (aaooommm).
Om is written in different ways in different places. The most common form symbolizes Lord Ganesha's. The upper curve is the head; the lower large one, the stomach; the side one, the trunk; and the semi-circular mark with the dot, the sweetmeat ball (modaka) in Lord Ganesha's hand. Thus Om symbolizes everything - the means and the goal of life, the world and the Truth behind it, the material and the Sacred, all form and the Formless.

 20. Why do we do Aarati ?

 

 

Towards the end of every ritualistic worship (pooja or bhajan) of the Lord or to welcome an honored guest or saint, we perform the aarati. This is always accompanied by the ringing of the bell and sometimes by singing, playing of musical instruments and clapping.
It is one of the sixteen steps (shodasha upachaara) of the pooja ritual. It is referred to as the lighted lamp in the right hand, which we wave in a clockwise circling movement to light the entire form of the Lord.
Each part is revealed individually and also the entire form of the Lord. As the light is waved we either do mental or loud chanting of prayers or simply behold the beautiful form of the         Lord, illumined by the lamp. At the end of the aarati we place our hands over the flame and then gently touch our eyes and the top of the head. 
We have seen and participated in this ritual from our childhood. Let us find out why we do the aarati?
Having worshipped the Lord of love - performing abhisheka, decorating the image and offering fruits and delicacies, we see the beauty of the Lord in all His glory. Our minds are focused on each limb of the Lord as the lamp lights it up. It is akin to silent open-eyed meditation on His beauty. The singing, clapping, ringing of the bell etc. denote the joy and auspiciousness, which accompanies the vision of the Lord.
Aarati is often performed with camphor. This holds a telling spiritual significance. Camphor when lit, burns itself out completely without leaving a trace of it. It represents our inherent tendencies ( vaasanas). When lit by the fire of knowledge which illumines the Lord (Truth), our vaasanas thereafter burn themselves out completely, not leaving a trace of ego which creates in us a sense of individuality that keeps us separate from the Lord.
Also while camphor burns to reveal the glory of Lord, it emits a pleasant perfume even while it sacrifices itself. In our spiritual progress, even as we serve the guru and society, we should willingly sacrifice ourselves and all we have, to spread the "perfume" of love to all. We often wait a long while to see the illumined Lord but when the aarati is actually performed, our eyes close automatically as if to look within. This is to signify that each of us is a temple of the Lord.
 Just as the priest reveals the form of the Lord clearly with the aarati flame, so too the guru reveals to us the divinity within each of us with the help of the "flame" of knowledge (or the light of spiritual knowledge). At the end of the aarati, we place our hands over the flame and then touch our eyes and the top of the head. It means - may the light that illuminated the Lord light up my vision; may my vision be divine and my thoughts noble and beautiful.
 The philosophical meaning of aarati extends further. The sun, moon, stars, lightning and fire are the natural sources of light. The Lord is the source of this wonderous phenomenon of the universe. It is due to Him alone that all else exist and shine. As we light up the Lord with the flame of the aarati, we turn our attention to the very source of all light, which symbolizes knowledge and life.
Also the sun is the presiding deity of the intellect, the moon, that of the mind, and fire, that of speech. The Lord is the supreme consciousness that illuminates all of them. Without Him, the intellect cannot think, nor can the mind feel nor the tongue speaks. The Lord is beyond the mind, intellect and speech. How can this finite equipment illuminate the Lord? Therefore, as we perform the aarati we chant;
Na tatra suryo bhaati na chandra taarakam
Nemaa vidyuto bhaanti kutoyamagnib
Tameva bhaantam anubhaati sarvam
Tasya bhasa sarvam idam vibhaati
 He is there where the sun does not shine,
Nor the moon, stars and lightning.
then what to talk of this small flame (in my hand),
Everything (in the universe) shines only after the Lord,
And by His light alone are we all illumined.
 

Tuesday, 30 April 2013

Twelve Jyotrlingas Of Lord SHIVA

               [1] Saurashtre Somanatham ch,
 [2] Sri Saile Mallikarjuna
       [3] Ujjanyinyam Mahakalam
      [4] Omkare Malamleshwara

                  [5] Paralyam Vaidyanatham cha

            [6] Dakinyam Bhimashankara

          [7] Sethu bande Ramesham

    [8] Nagesham Darukavane

                      [9] Varanasyam cha Vishweshwam

            [10] Tryambakam Gautameetate
   [11] Himalaye to Kedaram
          [12] Grishnesam cha Shivalaya ;

"एतानि ज्योतिर्लिङ्गानि, सायं प्रातःपठेत  नर,
सप्त जन्मा कृतम पापम् ,स्मरणेन विनश्यति !"


This is the famous sloka given in the Shiva Purana describing the 12 jyotirlingas of Shiva.
In Hinduism, the Absolute is known as the Brahman and is formless and without attributes. But the human being has form and attributes so we need some form of the Absolute on which we can concentrate. The lingam which is a rounded, upright stone is used as a symbol of Shiva. Worship of the lingam is one of the most important aspects of the worship of Shiva. The word "lingam" actually means a sign or characteristic. So the Shiva lingam is a sign of Shiva and helps us to remember him in his formless aspect. The Shiva lingam is also considered to be the divine phallus, containing within it the seed of the universe. From it all life is created. Together with the yoni or seat on which it rests and which corresponds to the female vulva, the yoni-lingam represents the union of man and woman, Shiva and Shakti, the cosmic Spirit in union with the cosmic Prakriti, which brings everything into existence.
There are thousands of lingams all over India but some of them have a special importance. The most important of these are called jyotirlingas and they are twelve in number. As given in the sloka, their names are Somnatha, Mallikarjuna, Mahakala, Omkara, Kedara, Bhimshankara. Vishvanatha, Tryambaka, Vaidynatha, Nagesha, Rameswara and Ghushnesha. Most of these are supposed to be self formed or sprouted out of their own will. A few have been installed by human hands. Every Shiva worshipper dreams of doing a pilgrimage to all these twelve jyotirlingas at least once in his lifetime.
We will now take a tour of all of them in turn.


[1]  Somnatha Temple  [Saurashtre Somanatham cha]
Somnatha is the name of Shiva in the town of the same name situated in Prabhas Patan in Saurashtra in the state if Gujarat in India. Prabhas Patan is the place where the Yadava clan fought amongst themselves and came to an end as per Lord Krishna’s wish.
Somnatha is connected with the story of Daksha’s curse to Chandra or Soma who is the moon god in Hindu mythology. Daksha was one of the patriarchs and Soma was his son-in-law. However Daksha took a dislike of Soma and cursed him that he would wane away to nothing. Soma appealed to Lord Shiva to save him from this curse. Somnatha is the place where Soma prayed to Shiva. Shiva decreed that he would not wane away to nothing but would have only fourteen days of waning after which he would start waxing for the rest of the month.
       
   
[2] Mallikarjuna   [Sri Saile Mallikarjuna]
Mallikarjuna is the name of Shiva in the town of Sri Sailam near the town of Kurnool in the state of Andhra Pradesh in South India. The temple is rich in carvings and architectural wealth. Adi Shankara is supposed to have composed his great poem called "Shivananda Lahari" at this temple. The legend concerning this temple is connected with Karthikeya, the son of Shiva. He had left Kailasa and gone to stay on a hill in south India. Parvati was bereft at the departure of her son and begged Shiva to take her there. Kartikeya refused to let them live on his own hill so Shiva and Parvati took up their residence on the hill at Sri Saila from which spot they could pay periodic visits to their beloved son. An interesting thing here is the sound of buzzing which seems to come from within the granite wall at the back of the temple. Bees are supposed to have made their home here but they have never harmed any of the devotees.

[3]  Mahakala [Ujjanyinyam Mahakalam]
Mahakaleshwar is situated in Madhya Pradesh in the ancient and historic town of Ujjain or Avanti. It is situated on the river Kshipra which is one of the four places in which the Kumbha Mela takes place. It is mentioned in the Bhagavad Purana as being the place where the famous rishi called Sandeepany had his gurukulam or institute of learning where all the princes of the land went for their education. In fact Lord Krishna and his brother Balarama also did their course of studies in this institution. The temple here is situated beside the cremation grounds and it is said that the ashes of this cremation ground is taken for puja in the temple. Shiva is the Lord of destruction and ashes from the burning ghat signify the ephemeral quality of life.
The legend goes that four Brahmin brother were great devotees of Lord Shiva and used to worship him daily at that spot. However a demon wanted to put an end to their worship and went to kill them. The brothers were confident that their Lord would protect them and continued their worship undaunted. Suddenly the lingam burst open with a tremendous sound and Shiva leapt out brandishing the weapons of destruction. His form was that of Mahakala or the great destroyer in the form of Time. The demon was burnt to ashes. The brothers begged Shiva to stay there forever and so he did.
                                               

[4] OMKARSHWARA [Omkare Malamleshwara]
Omkareshwara is situated on an island in the middle of the river Narmada in Madhya Pradesh. The Shiva is here is also known as Mamaleshwara. Once the celestial sage Narada had gone on a visit to the mountain known as Vindhya. The sage knew that the mountain was puffed up with pride so in his usual bantering fashion he told Vindhya that the mountain Sumeru was superior to it. Vindhya decided to become the equal of Sumeru and started doing tapasya to Lord Shiva. When Shiva revealed himself, Vindhya begged him to remain there all the time so that it would be the equal of Sumeru. Omkaresha is the place where Vindhya did tapasya.
 
[5] VAIDYANATHA [Paralyam Vaidyanatham cha] 

The temple of Vaidyanatha is situated in the state of Bihar in the town of Deogarh. Ravana, the demon king of Lanka, was a great devotee of Shiva. He practiced intense tapasya in the Himalayas, but still Shiva failed to appear, So he made a fire and decided to sacrifice all his ten heads. He started throwing them one by one into the fire. After the ninth, Shiva appeared and asked him what he wanted. Ravana prayed for superhuman strength and the restoration of his nine heads. Only Shiva could grant such a boon for he was Vaidyanatha, the Lord of all physicians. Shiva also gave him a wonderful jyotirlinga and told him to take it straight to his capital city of Lanka. He warned him never to put it down. Ravana started back carrying the radiant lingam. The gods feared that if he took it to Lanka, he would indeed become invincible so they sent Ganesha to thwart him. Ganesha took the form of a young brahmachari and appeared before Ravana just as he felt a terrible urge to answer the call of nature. Ravana was forced to give the lingam to the boy who had so providentially appeared before him and warned him never to keep it down. Hardly had Ravana gone than Ganesha put the lingam down. When Ravana returned he found no trace of the boy and try as he would he was unable to budge the lingam which had become rooted to the spot! This is the lingam which is known as Vaidyanatha.




[6] BHIMSHANKAR TEMPLE [Dakinyam Bhimashankara]

Bhimshankara is situated in the Sahyadri hills of Maharashtra. The easiest way to go there is via Pune. This is the spot where Shiva is said to have destroyed the three demons known as Tripurasuras. The legend connected with this place has to do with one of the brothers of the demon known as Kumbhakarna who was a brother of Ravana, the demon king oof Lanka. His son was called Bhima. When he heard of the death of his father at the hands of Rama, he swore vengeance on all the devotees of Vishnu (Rama was an incarnation of Vishnu). His first target was the king called Kamarupa whom he captured and threw into a dungeon along with his wife. The couple started earnest prayers to Shiva to save them. When he heard this, Bhima rushed to the dungeon with upraised sword to kill him. At that moment Shiva split open the lingam and jumped out of it and killed the demon. The couple begged him to remain there and hence the lingam here is known as Bhimshankara.


  [7]  Ramanatha Swamy Temple Rameshwaram [Sethu bande Ramesham]

The huge temple of Rameshwaram is situated on the island called Rameshwaran in the state of Tamilnadu. This spot is the closest bit of land in India to the island of Sri Lanka. Ravana, the demon king of Lanka had abducted Sita, the wife of Rama, king of Ayodhya and taken her to his island fortress. Rama came to rescue her but before he could cross the straits which separated the mainland from the island of Lanka, he made a lingam of Shiva and prayed to him to help him rescue his wife. Shiva appeared and blessed him with all success. Rama requested Shiva to stay in that spot forever. This is the lingam called Ramalingeswara and it is one of the most famous places of worship in India. 



[8]  Nagesha Linga [Nagesham Darukavane]

The tenth jyotirlinga is known as Nagesha and is situated near the pilgrim city of Dwaraka in Gujarat. There was once a merchant who was a great devotee of Lord Shiva. During his travels he often had to cross a forest which was inhabited by a demoness called Daruka who kept harassing him. He begged Shiva to help him. Shiva came with his snakes or "nagas" and drove Daruka away. Daruka worshipped Parvati who gave her another forest to roam about without troubling anybody. The lingam which was worshipped by the merchant came to be known as Nageshwara, Lord of serpents. Parvati also took up residence here and is known as Nageshwari. His Holiness Sri Ganapathi Sachchidananda Swamiji of Mysore worshiping  

 


 
 
 
                              
   [9]Vishvanatha temple [Varanasyam cha Vishweshwam]

Vishvanatha temple is situated on the banks of the holy river Ganga in Varanasi in the state of Uttar Pradesh. It is the most famous temple of Shiva in India and attracts thousands of pilgrims every year. The famous Manikaran ghat is the place where countless Hindus have been cremated. The fires of cremation have never been extinguished here since time immemorial since dead bodies are being constantly brought there. Anyone who sits for a few minutes at this ghat will realize the transitory quality of life and start looking deeper into the meaning of life. The creator Brahma himself is supposed to have done tapasya in this spot. It is said that Varanasi will not be destroyed even at the time of the great deluge when the rest of the world goes into dissolution. Shiva will raise the city on the point of his trident and protect it while destruction rages all around.

There is another story connected with this city. Once Shiva and Parvati had gone to the world of Brahma. He began reciting hymns through all his five mouths in praise of Shiva. But one of the mouths was making mistakes and so Shiva, who was a perfectionist where music was concerned, plucked off the head which was making mistakes. But since this was a great crime, Shiva found that he could not shake off the head which had stuck to his back. For many years he went round with the head on his back. It was only when he went to the holy city of Varanasi that the head fell off. So Shiva decided that he would stay there in the form of a lingam. This lingam is called Vishwanatha or the Lord of the universe. The first humans to worship there were Swaymbhu Manu and his wife Shatarupa who were the first couple to be created by Brahma.


  
[10]  Tryambakeshwara  [Tryambakam Gautameethate]
Tryambakeshwara is situated on the banks of the Godavari River. In fact the river has its origin on a hill above the temple. The temple is about ninety kilometers from the pilgrim city of Nasik in the state of Maharashtra. The place is associated with the sage Gautama and his wife Ahalya. They had prayed to Shiva for a long time. At last the Lord appeared and asked them to choose a boon. He begged Shiva to allow the Ganga to flow beside his hermitage so that he could bathe in her purifying waters and expiate for his sin in having killed a cow by accident. Shiva granted the boon. However Ganga insisted that she would go there only if Shiva took up his residence there. This was agreed upon and Shiva stayed there in the form of a lingam. Ganga flowed beside him and took the name Godavari. To reach the source of the Godavari one has to climb some hazardous steps up the mountain near the temple. The steps lead you to a small shrine where water gushes out of a stone cow’s mouth. One can also trek up the mountain to the top where the river actually has her source.

 [11]  Kedarnatha  [Himalaye to Kedaram]
Kedarnatha is the northernmost of the jyotirlingas and nestles in the snow clad Himalayas. It is snow bound for six months of the year and opens only from May to October. The last twelve kilometers of the journey to Kedarnatha has to be made on foot or pony. During the last part of their sojourn on earth the five Pandavas (heroes of the Mahabharata war) and their wife, Draupadi proceeded to the place in the Himalayas known as Kedarkanda. They went in search of their favourite deity, Shiva. They thought they saw him and gave chase but they were unable to catch him. Very soon they were joined by a wild looking dog and a noble buffalo. They came to realize that the buffalo was none other than their favourite deity. Once again they tried to catch it but it ran away. The Pandavas chased the buffalo and at last each of the brothers managed to catch one part of the animal. To their consternation it came apart into five pieces in their hands. They threw the pieces far and wide. Those spots where the pieces fell came to be known as the panch Kedars or the five Kedars and are important pilgrim spots in the Himalayas. The hump of the buffalo fell at a most auspicious spot and came to be known as Kedarnatha. The lingam at Kedarnatha is in the shape of the hump of a buffalo.

[12]  Grishneswara [Grishnesam cha Shivalaya]
Grishneswara is the twelfth and last of the jyotirlingas. It is situated close to the famous caves of Ellora. Once there was a Brahmin called Sudharma who had a wife called Sudeha. They had no children and so his wife asked him to marry her niece, Ghrishna in order to get a son. She was a great devotee of Lord Shiva and she made a vow that she would make one hundred and one lingams of Shiva daily and worship them. At the end of her puja she would immerse the lingams in the pond near by. After having completed one lakh of pujas she conceived and got a lovely baby boy. As can be expected her aunt’s nature changed with the birth of the child and one day she killed the baby and threw the body into the pond in which the lingams were immersed. Next morning Ghrishna got up and started her daily ritual of worshipping Shiva. She refused to be distracted even when her husband announced the disappearance of the baby. At the end of her puja, Shiva who was pleased with her devotion restored the baby to her. When he raised his trident to kill her aunt, Ghrishna begged him to spare her life and asked for the boon that he would stay near the pond in the form of a lingam. He agreed and this lingam is known as Grishneswara.
                                            Aum Namashivaya

"પહેલું સુખ તે જાતે નર્યા ".


માનવ સ્વભાવ એવો છે કે જ્યાં સુધી બધું બરાબર ચાલે ત્યાં સુધી આગળની કોઈ ચિંતા ગમ્ભીરતાથી ન કરે.અને જયારે તે યંત્રવત જીવનમાં સહેજ પણ ગરબડ ઉભી થાય ત્યારે સફાળો જાગીને  ઉભી  થયેલી ગરબડને ટાળવા આકાશ-પાતાળ એક કરે.
આપણા સહુનું એવુજ છે  માનવ શરીર જ્યાંસુધી તંદુરસ્ત અને નિરોગીહોય,ત્યાંસુધી આપણે કોઈ ચિંતા વિના આપણી જીવનશૈલી મન  ફાવે તે રીતે ચાલવા દઈએ છીએ પરંતુ જયારે સહેજ પણ બિમારીના લક્ષણો દેખાયા ભેગા ડોક્ટરને શરણે પહોંચી જઈએ છીએ બસ, પછી તો પૂછવાનું જ શું ?લોહી તપસરાવો , ઝાડો-પેશાબ ની લેબોરેટ્રી કરાવો, એક્ષ-રે લેવરાવો, જરૂર લાગ્યે, સ્કેનીંગ કરાવો ,અને એન્દ્રોસ્કોપી,,ઇ સી જી,તથાદવા-ગોળીના લાંબાબીલો ભરતાથઇ જાવ.
આપણા વૈદિક અને ઉપનિષદોમાં પણ જેનો ઉલ્લેખ છે તે " પંચ કર્મ " નો ઉપચાર ઋષિ-મુનિઓના સમય થીચાલ્યો આવેછે પણ આ ફાસ્ટ યુગ માં લોકો ને જેટલી ઝડપ થી બીમાર પડે છે, તેથી વધુ ઝડપથી સાજા  થવા ની લાહ્ય લાગેલી છે તેને કારણે " એલોપથી ઉપચાર" વધુ પ્રચલિત છે " પંચકર્મ ની ક્રિયા " થકી રોગ મટાડવા કરતા આવતા રોગને ખાળવામાટે તે વિશેષ ઉપયોગી છે . પણ હવે ધીમે ધીમે પ્રચારના માધ્યમ ને કારણે પંચકર્મ ઉપચાર લોકપ્રિય થતો જાય છે
આવું જ એક પંચકર્મ ઉપચાર કેન્દ્ર આણદના વલ્લભ વિદ્યાનગર ખાતે, બાકરોલ રોડ પર આવેલ છે
"મુન્શી નેચરોપથી સેન્ટર" તરીકે ઓળખાતા આ ઉપચાર કેન્દ્રમાં ગુજરાત સિવાય વિદેશમાંથી પણ  દર્દીઓ આવે છે.
દશ દિવસ ના પેકેજ માં તમામ શારીરિકતપાસ પછી ઉપચાર શરુ થાયછે સવાર -સાંજ શરીરને પલોટી નાખે અને ખરો શ્રમ અનુભવાય તેવો માલીસ, કટી સ્નાન ,એનીમા, કોલન, મડ બાથ, સોલાર બાથ, સ્ટીમ બાથ (વરાળ સ્નાન ) જેવા ઉપચારોથી દેહ્શુદ્ધીના પ્રયોગોનો સમાવેશ થાય છે.
સૌથી વધુ લોકો વજન ઉતારવા અને ખાનપાનની આદત બદલાવવા માટે ત્યાં આવે છે
કહે છે કે માણસ પૈસા ખર્ચીને સ્વાદિષ્ટ અને સુંદર ભોજન જમે છે પરંતુ અહીં ભૂખે મરવાના પૈસાઆપવાપડે છે કારણ કે બન્ને સમય ભોજનમાં દુધીનો સૂપ,બીટનો સૂપ, પાલક ની ભાજી નો સૂપ, ટમેટાનો સૂપ, સલાડ અને મગની દાળ જેવો પોષ્ટિક ખોરાક જ પીરસવામાં આવે છે સ્વાભાવિક રીતે ઘેર મીઠામરચા થી તમતમતી રસોઈ જમવા વાળા ને માત્ર હળદર સિંધાલુણ, અને વઘાર વિનાની ફિક્કી દાળ ન જ ભાવે
મમરા પણ શીંગ નાખ્યા વિનાના અને પહેલા પાણીમાં પલાળી અને પછી વઘારેલા આપવામાં આવે છે જેથી નામ માત્ર જ તેલનો ઉપયોગ થાય
ઘી,તેલ,ખાંડ,મીઠું,મરચું ફરસાણ,ભાત,દૂધ,દહીં કે મિષ્ટાન ત્યાં પ્રતિબંધિત છે પહેલા તો સવારમાં  ચા પણ મળતી ન હતી, સવારની ચા ને બદલે તુલસી, આદુ ,ફુદીનો,મરી નાખેલ ગોળમાં બનાવેલ થોડા ગાયના દૂધમાં બનાવેલો ઉકાળો મળતો હતો, પરંતુ દર્દીઓની માંગને અનુલક્ષીને હવે ડીપ -ડીપ ચા આપવી શરુ કરી છે .ભોજનમાં મોટેભાગે પ્રવાહી અથવા અર્ધ-પ્રવાહી પીરસાય છે  રોટલી માત્ર તબીબની ભલામણથી જ અપાય છે અને તે પણ વધુમાં વધુ બે ,મારાજેવા માટે પાતળી નાની ઘી લગાડ્યા વિનાની  બે રોટલી ખિસ્સા માં રૂમાલ મુક્યા જેવી લાગે.
બપોરે નારિયલ નું પાણી અથવા ફ્રુટ જ્યુસ થી ચાલવવાનું રહે છે  (ચા ન મળે )
આરોગ્ય ધામમાં જીમ ની પણ સુવિધાછે સવારે પાંચ વાગ્યામાં ઉઠી પ્રાર્થના અને યોગા માં હાજરી આપવી ફરજીયાત ખરી, પણ મારા જેવા સૂર્યવંશીઓ ગાપચી મારતા
વાતાવરણ ઘણું શાંત અને રમ્ય, પણ કહે છે ને કે " ભૂખ્યા ભજન પણ ન થાય " તેમ આખો દિવસ પેટ ખાલી જ લાગ્યા કરતું હોય ત્યાં મનોરમ્ય વાતાવરણ પણ સ્મશાન જેવું ઉદાસ લાગ્યા કરે
દશ દિવસ ના "ઉદર પર ના ત્રાસ " (Rap) ને કારણે, સ્વાભાવિક રીતે વજન ઉપર અસર પડેજ છે આરોગ્ય કેન્દ્ર માંથી છૂટ્યા પછી વજનમાં 2 થી 3 કિલો નો ફેર જરૂર પડી જાયછે અને જો તમે તે બાબતે થોડા વધુ ગંભીર બની ચુસ્ત રીતે અનુસરો તો 5,6, કિલો વજન અવશ્ય ઘટે છે પાન,માવા,ગુટકા,બીડી કે  સિગરેટ પ્રતિબંધિત છે જે મારા જેવા તમાકુ ના વ્યસનીને મુશ્કેલી સર્જે છે (તેમ છતાં હું તો મારી રીતે તેની વ્યવસ્થા કરી લઉં છું)
હું નિયમિત રીતે છેલા 14 વર્ષ થી અનુકુળતા પ્રમાણે દશ દિવસ નો વનવાસ ભોગવી આવું છું
કમસે કમ એવું સમજીને  કે " ત્રણસો પંચાવન દિવસ આડેધડ ખાવાના,અને દશ દિવસ ભૂખ્યા મરવાના "
એવું વિચારી ને પણ વર્ષ માં એકવાર દેહ-શુદ્ધિ મને ગમી
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Monday, 29 April 2013

"સ્ટેટસ, અને ઈમેજ "


ગજબ થયો.
ગઈકાલની મારી પોસ્ટ વાંચીને મારા એક મિત્ર/સહાધ્યાયી નો આજે ફોન આવ્યો
વ્યોમેશ, મેં તારી “એલર્જી” ની પોસ્ટ વાંચી.મને ન ગમી એટલે મેં like નથી કર્યું .
મેં જવાબ વાળ્યો સાચું છે, બધાથી લખાતી બધીજ પોસ્ટ બધાને ગમે તે જરૂરી નથી, વળી ગમતી બધી પોસ્ટ ને like કરવું પણ જરૂરીનથી . હું કોઈ TV ચેનલ ની જેમ T.R.P. વધારવા માટે નહી,પણ નિજાનંદ માટે મને આવડે છે તેવું કાલુ -ઘેલું લખું છું " પણ મિત્ર હોવાના દાવે ન ગમવાનું કારણ હું જરૂર પુછીશ.
કારણ બતાવતા તેણે મને કહ્યું," યાર, ફેસબુક પરિવાર ના બધાજ સભ્યોમાંથી ભાગ્યેજ પાંચ ટકા લોકો તને અંગત રીતે, વ્યક્તિગત ઓળખતા હશે,તે સિવાયના બાકીના લોકો તારી Profile વાંચીને માત્ર નામથી જાણતા હશે, તારા Profile થી ઓળખતા લોકો પાસે તારા સ્ટેટસ અને ઈમેજને અસર પડશે તેવું તને ન થયું ? જે લોકો આપણા અત્તિતને જાણતા નથી તેવા લોકો પાસે આપણી નબળી વાત શા માટે મુકવી જોઈએ ? બસ, તે એક માત્ર કારણથી મને તે પોસ્ટ ન ગમી "વાત પૂરી કરતા તેણે ઉમેર્યું કે " ખરેખર તું ભોળો અને અતિ નિખાલસ છો "
મેં જવાબ આપ્યો કે તારા આ છેલ્લા વાક્યથી મારી પોસ્ટ ને Super like મળી ગયું
પણ, સ્ટેટસ ? કયું સ્ટેટસ ?
"અરે,યાર,બેંક મેનેજરનું સ્ટેટસ” તેણે જવાબ આપ્યો
હું હસ્યો, ખડખડાટ હસી પડ્યો અને કહ્યું કે” અલ્યા, તું બેંક મેનેજરના પદને સ્ટેટસ ગણે છે? તો સાંભળી લે કે, તે પદ માટે કોઈ વિશેષ લાયકાત કે બુદ્ધીની જરૂર નથી. જેને એક થી સો સુધી ગણતા આવડે, તે સહુ કોઈ બેંક માં મેનેજર થઇ શકે , આજનો બેંકનો પટાવાળો આવતીકાલનો બ્રાંચ મેનેજર છે.
1962,માં બેંક ની રાજકોટની શાખામાં 18 વર્ષના સ્ટાફ કેન્ટીન બોય ને 1995 માં જુનાગઢ બ્રાંચના સીનીયર મેનેજર તરીકે મેં જોયો છે.બોલ,આને તું સ્ટેટસ કહે છે ?
વાત રહી ઈમેજની તો હું તને પૂછું છું કે " રાષ્ટ્રપિતાની ઈમેજ મોટી કે બેંક મેનેજરની ?
રાષ્ટ્રપિતાની ઈમેજ શાશ્વત છે, જયારે બેંક મેનેજરની ઓળખ નાશવંત છે. હું જે બ્રાંચમાં મેનેજર હતો ત્યાનો સ્ટાફ બદલાઈ જવાનાકારણે, આજે મને તે બ્રાંચમાં કોઈ ઓળખતું નથી જયારે રાષ્ટ્રપિતાને 1947, થી આજસુધીની બધી પેઢી ઓળખે છે,અને આવતી પેઢી પણ ઓળખશે.તેવા રાષ્ટ્રપિતા ગાંધીજીએ પોતાની આત્મકથામાં લખ્યું છે કે " તેઓ નાના હતા ત્યારે બીડીના ઠુંઠા વીણીને ફૂંકતા.અને એક વાર તો ઘરમાંથી ચોરી પણ કરી હતી "
જો ગાંધીજીના અત્તિત નું રહસ્ય તેમણે બહાર ન પાડ્યું હોત તો આપણને તેની જાણ ન હોતી,
પોતાના બાળપણ વિષે આવું લખ્યા છતાં તેની રાષ્ટ્રીય,કે આંતરરાષ્ટ્રીય ઈમેજ માં કઇ ફેર પડ્યો?
ગાંધીજીના પુત્રના હાથ ઉપર કોઈએ "મેરા બાપ ચોર હે "એવું ત્રોફાવ્યું ?
હવે જો રાષ્ટ્રપિતાની ઈમેજ માં કોઈ ફેર પડતો ન હોય ? તો હું કઇ વાડીનો મૂળો ?
હા,એમાં એક બીજી પણ વાતછે કે "રાષ્ટ્રપિતા બનવા માટે "ગાંધીબાપુ" થવું જરૂરી છે પણ બેંક મેનેજર બનવામાં "BAPU" (Bad Administration,&, Poor Understanding ) ન ચાલે .
અંતે મારી વાતને સ્વીકારી,કબલ્યું કે "નિખાલસતા એ સાત્વિક જીવન નું અંગ છે "

એલરજી

જે ઉમરે હું એલરજીનો અર્થ, કે સ્પેલિંગ નહોતો જાણતો તે ઉમરથી મને એલરજી શબ્દ વાપરવાની "એલરજી"હતી હા, હું માત્ર એટલું જ સમજતો હતો કે જે વસ્તુ ન આવડતી હોય,
ન ગમતી હોય, ન ભાવતી હોય, કે ન ફાવતી હોય તેને માટે આ ખાસ શબ્દ નું બહાનું ધરી દેવું તે એલરજી.તે સિવાય એલર્જી શું છે, અને કોને કહેવાય તે ખબર ન હતી.
વિદ્યાર્થી કાળમાં અભ્યાસ બાબતે આવી એલર્જી મને ગણિત, અને વિજ્ઞાનના વિષયોની હતી આંકડાની માયાજાળ પ્રત્યે સખત સુગ હતી, અને તેવુજ વિજ્ઞાનમાં હતું
તત્કાલીન મધ્યયુગના સ્વ. લાધાભાઇ માસ્ટર , દીપેન્દ્ર ભાઈ માસ્ટર અને સુમનભાઈ મઝમુદાર જેવા શિક્ષકો થી માંડીને અર્વાચીનયુગના શ્રી ખીરાસાહેબ, વખારિયા સાહેબ,અને એચ જે પંડયા,અને વિજ્ઞાન બાબતે જે બી નાણાવટી સાહેબ અને ધ્રુવકુમાર મઝમુદાર સાહેબો એ ઘણી મથામણ કરી પણ તેઓના જ્ઞાનના તરાપે હું "ગણિત-વિજ્ઞાન સાગર" પાર ન જ કરી શક્યો .યાર, નાટકના સંવાદ ગોખનારને વિજ્ઞાન ના સુત્રો કેમ ગોખવા ફાવે ?
બન્યું એવું કે નવમાં ધોરણના વિજ્ઞાનના અભ્યાસક્રમમાં ભૌતિકશાસ્ત્ર,રસાયણ શાસ્ત્ર,શરીર વિજ્ઞાન, અને આરોગ્ય શાસ્ત્ર તથા થોડું જીવ વિજ્ઞાન ભણવાનું હતું વાર્ષિક પરીક્ષા આવી. વિજ્ઞાનનો પેપર હાથમાં આવ્યો
પેપરમાં સુચનાથી વાંચવાનું શરુ કર્યું જેમાં ખાસ બે સૂચનાઓ હતી
1. જરૂર પડે ત્યાં આકૃતિ દોરો ..2 સ્વચ્છતાના જુદા માર્ક્સ છે.
પ્રશ્ન જાણીતા લાગતા હતા પણ જવાબ કોઈ જાણીતા ન હોતા તેથી સમજાયું તેટલું લખ્યું.
વળી, બક નળી, ચંબુ જેવી આકૃતિઓ તો ફાવે જ નહી ? જેને સીધી લીટી દોરતા આજ સુધી ન આવડતી હોય તેણે તેવા અખતરા ન કરાય તેવો જવાબ મારા અંતરાત્મા એ આપ્યો પ્રશ્નપત્રમાં પાંચ માર્કની ટૂંક નોંધ પણ હતી ટૂંક નોંધનો વિષય હતો " અમીબા "બસ, વાંચી ને બંદા રંગમાં આવી ગયા.વિજ્ઞાનના આખા પેપરમાં ક્યાંયે મને આકૃતિની "જરૂર ન લાગી"પણ પાંચ માર્કની ટૂંક નોંધ એક ફુલ પેઈજ તો લખ્યું પણ સરસ મજાની અમીબા ની આકૃતિ દોરી લાલ શ્યાહીથી વચે નિશાની કરી એરો મારી, * પ્રજનન બિંદુ એવી નોંધ પણ લખી અને નીચે લખ્યું,,, "આકૃતિ નં 1"
મારી સાથેના મારા મિત્રોમાંથી ભલે બધાએ કાર્બન ડાયોકસાઇડ અને અન્ય પ્રશ્નોમાં બક- નળી,અને ચંબુ દોર્યા હતા,પણ કોઈએ અમીબાની આકૃતિ દોરી ન હોતી,જાણી મારીછાતી ગર્વથી ફૂલાતી હતી. અન્ય કરતા કૈક જુદા જ દેખાવાની,અને કરવાના મારા સ્વભાવ,અને બચપનની આદતને કારણે મને ગર્વ થયો કે, પરીક્ષક બધા પેપર તપાસતા અમીબાની એક માત્ર આકૃતિ મારા પેપરમાં જોઈને ખુશ થશે.મને ખાતરી થઈ ગઈ કે ચાલો ટૂંક નોંધના પાંચમાર્ક તો આપણા ખિસ્સામાંજ છે,અને અન્ય કોઈઆકૃતિની મને જરૂર ન લાગતા દોરી ન હોવાથી,કોઈ છેક -છાકનો તો સવાલ જ નહોતો? આમ સ્વચ્છતાના માર્કપણ મળીગયેલ જ છે , 
 પરીક્ષાનું પરિણામ આવ્યું, બંદા હરખાતા હરખાતા શાળાએ પહોંચ્યા જે વિષયે મને શાળાકીયવર્ષર્માં સતત ભયભિત રાખ્યો છે,તેમાંતો સવાલ જ નહોતો? ટૂંક નોંધ અને સ્વચ્છતાના માર્ક્સતો મળીજ જશે તેવી ખાતરી હતી ,પરિણામઆવ્યું તો પેપરના આગળનાભાગે લાલ શ્યાહીથી માર્ક્સ લખ્યા હતા 33+2= 35.અને નીચે નોંધપણ હતી " કૃપાગુણથી ઉપલા ધોરણમાંચડાવવામાં આવેલ છે "

ભદ્રમ -ભદ્ર કોમર્સ માં ...

ગરવી ગુજરાતી ભાષાને"ગરીબ ગુજરાતી" ભાષા કહેનારે “શું શાં પૈસાચાર"કહીને ભાષાકારો,અને ગુજરાતી સાહિત્યના શિલ્પીઓને રાંક ગણ્યા છે, ગુજરાતી ભાષા,સુવર્ણ આભુષણથી લદાયેલી નમણી નાર જેવી લચકદાર,અને ઝમકદાર લાગે છે ભાષાના બધાજ રસનું પાન કરાવનારા ગુજરાતી સાહિત્યકારો અનેક છે જેમાં ઝવેરચંદ મેઘાણી,ક્નૈલાલ મુન્શી,વીર નર્મદ,આદ્ય કવિ નરસિંહ મહેતા,નાન્હાલાલ,
સુન્દરમ,આનદશંકર બાપુભાઈ ધ્રુવ,પન્નાલાલ પટેલ,જ્યોતીન્દ્ર દવે,અને આવાતો ઘણા શાક્ષરોએ ભાષા સાહિત્યનું ગૌરવ વધાર્યું છે.
પરંતુ એ બધા માં ગુજરાતી ભાષાને નવો વળાંક આપનાર "ભદ્રમ -ભદ્ર " ના સર્જક રમણલાલ નીલકંઠ વધુ જાણીતા છે બોલવામાં અઘરા, સાંભળવામાં લાંબા,અને સમજવામાં  જટિલ શબ્દ પ્રયોગ કરીને  ભાષા, અને શબ્દો ને નવો વળાંક આપ્યો . આમ જુવો તો ભદ્ર્મ -ભદ્ર એ "અતિ વિશુદ્ધ ભાષા-કોશ" કહીએ તો તે ખોટું નથી
રેલ્વે સ્ટેશનને "અગ્નિ-રથ વિરામ કેન્દ્ર " ટેલીફોન ને દુર્ભાશ્ય યંત્ર " મોબઈલ ફોનને ચલિત દુર ભાસ્યયંત્ર " જેવા અલંકારિકશબ્દો માત્ર રમણલાલભાઈ જ આપી શકે.
. આજે આ યાદકરવાનું કારણ એ છે કે મારા વિદ્યાર્થી જીવનનો એક પ્રસંગ મને યાદઆવી ગયો .
બન્યું એવું કે વિનયનમાં,સ્નાતકનીપદવી મેળવી વાણિજ્યના સ્નાતકની ઉપાધી મેળવવાની ઉપાધી મેં સામેથી વહોરી.વાણિજ્યના સ્નાતકના અભ્યાસક્રમમાં " વેપારી કાયદો " (Mercantile Law ) નું એક પેપર.
વાર્ષિકપરીક્ષામાં વેપારી કાયદાના પેપરમાં પ્રશ્નનંબર 5 આ પ્રમાણે હતો :
"રેખાંકિત ધનાદેશ એટલે શું ? તેના પ્રકાર વર્ણવો "
આખું વર્ષ મહેનત કર્યા પછી વેપારી કાયદો ગોખી નાખનાર એવામને આ પ્રશ્ન અજાણ્યો લાગ્યો, ઘણી મુંજવણપછી નિરીક્ષક ને ઈશારો કરીબોલાવ્યા, અને પ્રશ્નમાં શું પૂછવામાંગે છે તેઅંગેપૂછ્યું,પણ કમનસીબે નિરીક્ષક વિજ્ઞાનના અનુસ્નાતક હોવાથી,મને સંતોષકારક જવાબ ન આપીશક્યા.ઉલટું તેમણે મનેકહ્યું કે "પર્યાય શબ્દોનો અભ્યાસ કરવો એ પણ પરીક્ષાનો જ એકભાગ છે "
પ્રશ્ન વાંચતા જ હું સમજીગયો કે પેપેરસેટરની કમિટીમાં લો-કોલેજનાપ્રાધ્યાપક શ્રી,પી.ટી.છાયાસાહેબ જરૂર છે. અને આપ્રશ્ન તેનો જ છે.મને ભદ્રમ ભદ્ર યાદ આવી ગયા મેં વિચાર્યું કે જરૂર છાયા સાહેબ રમણલાલ નિલકંઠના શિષ્ય હશે તેને કારણે તેણે અલંકારીક ભાષા અંગીકાર કરી છે.
બધુજ આવડ્યું પણ 15 માર્ક્સના આ પ્રશ્ન ને કેમ છોડી દેવાય? પણ કરવું પણ શું ? જયારે સવાલ જ ન સમજાય તો કાયદાનાપેપરમાં ગપ્પા થોડા મરાય ?અંતે પ્રશ્ન છોડીદેવાનું વિચારી હું ઉભો થયો ઉત્તરવહી
 બંધ કરીને નિરીક્ષકના મેજ સુધી પહોચતા મેં પ્રશ્ન પત્રને  ખિસ્સામાં મુકવા ઘડીવાળી,તેવામાં મારું ધ્યાન પ્રશ્નપત્રના પાછળના ભાગે છપાયેલ ઈંગ્લીશ version ઉપરપડ્યું ઈંગ્લીશ version ના પાંચમોપ્રશ્ન વાંચતા તેમાં લખ્યુંહતું કે :-"What Is Cross Cheque? Describe the Type of Crossing?
વાંચતાજ હું હરખાયો અને ફરીપાછું આસન ગ્રહણ કરી, ઉત્તરવહીખોલી, મેં પૂરો અને સાચો જવાબલખ્યો
આમ "રેખાંકિત ધનાદેશ "એટલે “Cross Cheqe” એ મને પહેલી વાર ખબરપડી.
અલંકારિક ભાષાનીઝમક ક્યારેક આમ ભારેપડે છે .

Monday, 18 March 2013

" જીવિત મહોત્સવ " ( જીવતા જગતિયું )

 માનવી ના મૃત્યુ પછી જીવ ની ગતિ  ક્યાં, કેવીરીતે, શું કામ ?થાય છે તે અન ઉકલ્યો પ્રશ્ન આજ સુધી ગહન કોયડો બની ગયો છે પંડિતો, ધર્માત્માઓ અને શાસ્ત્રો વિવિધ રીતે તેને ઉકેલવા મથ્યા છે પણ સચોટ, અને સાબિત થઇ શકે તેવું કોઈ તથ્ય આજ સુધી લાધ્યું નથી
એટલુજ નહી પણ જીવ ની ઉર્ધ્વ ગતીમાટેની અનેક ધાર્મિક વિધિઓ દ્વારા સદગત ના આત્મા ને ચિરશાંતિ પ્રાપ્ત થાય તેવા અનેક નુસ્ખાઓ શાસ્ત્ર માં બતાવ્યા છે
આવી અલગ અલગ માન્યતાઓ માં શ્રદ્ધા ધરાવતા લોકો પોતાના પ્રિયજનના પરલોક ગમન પછી બીજેજ દિવસ થી તેમના કુટુંબીઓ તેવી વિધિ કરાવતા હોય છે
આ પૈકી ની એક વિધિ તે " જીવિત મહોત્સવ છે જેને લોકભાષા માં " જીવતે જગતિયું" પણ કહેવાય છે 
જીવિત મહોત્સવ માનવી ની હયાતી માં, તેના અથવા તેના પુત્રો દ્વારા યોજવા માં આવે છે જેમાં માનવી મૃત્યુ પામ્યો હોય અને જે વિધિ તેની હયાતી બાદ કરવા માં આવે, તે તમામ વિધિ તેની હાજરીમાં, હયાતી માં અને સાક્ષાત કરવા માં આવે છે શાસ્ત્ર માં આ વિધિ નો ઉલ્લેખ છે જેને જીવિત મહોત્સવ તરીકે ઓળખાવેલ છે
કોઈ એક સારા શુકનવનતા  દિવસે મંદિર માં શાસ્ત્રોક્ત રીતે ઉજવાતા જીવિત મહોત્સવ માં વ્યક્તિ પોતાના હાથે જ પોતાનું બારમું, તેરમું, સેજ-દાન વિગેરે કરે છે અને તે માટે ની વિધિ
પંડિતો દ્વારા  પૂજા-અર્ચન દ્વારા પર પાડવા માં આવે છે
આપણી જ્ઞાતિ માં મ્રત્યુ પછી ચક્ષુ-દાન, અને દેહ-દાન કર્યા ના ઉદાહરણો ઘણા આજ કાલ સાંભળવા મળ્યા છે , પણ કોઈએ પોતાની હયાતી માં   "જીવતે જગતિયું, કે જીવિત મહોત્સવકર્યા નું બહુ  ધ્યાન માં નથી
આવો જીવિત મહોત્સવ મારા મુ સ્વ, મોટાભાઈ રમેશભાઈ એ અમદાવાદ ના કાલુપુર સ્થિત સ્વામિ મંદિર  માં પોતાની હયાતી માં જ ઉજવ્યો હતો 
મહા સુદ પાંચમ ( વસંત પંચમી ) તા। 26/જાન્યુ । 2004, ના રોજ પોતે, પોતાનો તથા પોતાના સહ ધર્મચારિણી। વડીલ બકુલભાભી  નો એમ એક સાથે બન્ને જીવો ના આત્મ કલ્યાણ અર્થે આ વિધિ પૂરી કરેલી
આ બધી બાબતો પોતાની શ્રદ્ધા અને માન્યતા ઉપર આધારિત છે કરેલી કોઈ વિધિ ની રજીસ્ટર ની જેમ પહોંચ આવતી નથી પણ જ્યાં શ્રદ્ધા નો વિષય હોય ત્યાં જેમ પુરાવા ની જરૂર નથી, તેમ શંકા ની પણ જરૂર નથી હોતી 
આમેય મારા સ્વ મોટાભાઈ રમેશભાઈ પોતાના દિવસો માં થોડા સુધારાવાદી તરીકે જ્ઞાતિ માં જાણીતા હતા તેમના લગ્ન 1957 માં થયા હતા તે જમાના માં વરરાજા પરણવાજતી વખતે માથા પર " ખુંપ " (ફૂલ ની શણગારેલી ટોપી ) પહેરવા નો પ્રચલિત રિવાજ હતો, તેવી રીતે લગ્ન પછી ની પહેલી રાત્રી એ " મેડી શણગારવાનો " રીવાજ પણ હતો, તે સમયે મુ। રમેશભાઈ એ તે બન્ને દરખાસ્તો નો વિરોધ કરી 
સાદી  " બાફટા" ની ટોપી પહેરેલી  
જીવિત મહોત્સવ કરવાની પાછળ પણ તેનો ઉદ્દેશ્ય કૈંક આવો જ હતો મ્રત્યુ પછી બારમાં તેરમાં ની ઉજવણી ભૂદેવો ના પેટ ઠારવા, અને સમગ્ર પરિવાર ને એકઠો કરી રો-કકળ  થાય તેવું તેઓ ઇચ્છતા ન હતા 
સમાજ માં વ્યાપેલ કુરિવાજો ની જડ  ઉખેડવા માટે ના  તેમના સતત પ્રયાસ હતા અને તેની શરૂવાત તેઓ એ પોતાના ઘર થીજ કરી
આવા અનેક સુધારાઓ પરિવાર ને સૂચવનાર તેઓ જ્યોતિર્ધર હતા 
પોતાની હયાતી માં, સ્વ હસ્તે પોતાની બધી જ મ્રત્યુ પછી ની અંતિમ વિધિ કર્યા પછી મૃત્યુબાદ કોઈ ધાર્મિક વિધિ કરવાની રહેતી નથી હોતી  તેવી પરિવાર ને સ્પષ્ટ સુચના પણ હતી 
ગયા અઠવાડીએ અહીં વડોદરા ખાતે પણ એક જૈન પરિવાર ના સુપુત્રે પોતા ના માતા-પિતા ની સંમતી થી તેઓનો જીવિત મહોત્સવ ઉજવ્યો તે અંતર્ગત ત્રી-દિવસીય આ કાર્યક્રમ માં ધાર્મિક ક્રિયાઓ ઉપરાંત કથા, ભજન, કીર્તન, તથા સત્સંગ નો ઉલ્લાસમય વાતાવરણ માં સમ્પન થયા 
ધન્ય છે તે વડીલો ને કે પોતાની હયાતી માં જ પોતાની અંતિમ વિધિ કરી, આત્મ સંતોષ મેળવી સ્વર્ગે સંચરે છે